Palazzo Spada, an impressive Renaissance palace, was originally built in the 16th century for Cardinal Girolamo Capodiferro. The architecture reflects the grandeur and style typical of this period, with elegant details that highlight the wealth and influence of its first owner.
About one hundred years after its construction, the palace changed hands. It was purchased by Cardinal Bernardino Spada, a notable figure with both political and artistic interests. He decided to restore and update the residence, bringing in the famous architect Francesco Borromini for the project.
During the restoration, Borromini designed one of the palace’s most intriguing features: the arcaded courtyard with a forced perspective. This clever illusion makes the gallery appear much longer than it actually is, using diminishing rows of columns and a rising floor to trick the eye. This masterpiece of optical illusion became one of the highlights of Palazzo Spada, attracting curious visitors and art lovers from around the world.
Source - https://en.wikipedia.org/wiki/Palazzo_Spada
On top of the Capitoline hill. The piazza was designed by Michelangelo. The Capitoline Museum is housed in the palaces flanking the piazza. You can walk behind the Palazzo Senatorio, where Rome's government meets, to a wonderful viewpoint which overlooks the entire Roman Forum. In the centre of the square you can admire an exact copy of the Statue of Marcus Aurelius on horseback; the original is kept in one of the two museums, to preserve it from pollution.
If stones could talk: these hallowed ruins were the most powerful seat of government in the world. To stand in the political, legal and religious centre of the whole Roman Empire brings shivers down one's spine. It is the best way of imagining the splendour and glory of ancient Rome. Located in a small valley between the Capitoline and Palatine hills, access to the Forum is by foot only, from an entrance on the Via dei Fori Imperiali. Wheelchair access is available for most of the Forum but be aware that the path is often bumpy due to it containing original stones from the ancient Roman period. The Forum is much less crowded than the Colosseum and, from a historical perspective, much more interesting. You can hire an audioguide for €5.5 from a small booth just above the Arch of Titus near the Colosseum. These audioguides contain an audio jack so that two people can easily share one. Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple. Completed in 179 BC. The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s. Erected in 203. You can see it close up from Via della Curia also (without entering the Forum). Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ..."). Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year. The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
This little church is hard to find but well worth the extra effort although it is often closed when you get there. One of Borromini's masterpieces. It is located only a block from Piazza Navona, but not usually visible from the street, as you must enter the courtyard of an old palazzo to reach the church. Sant'Ivo is a small church the dome of which is shaped like the Star of David, but with every other point rounded. The steeple seen from the outside looks like it has a staircase wrapped around it that ascends to heaven. As the church was commissioned by the Barberini family that produced a number of popes and whose family symbol was the bee—some say the steeple resembles the stinger of the insect.
This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).
This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).
The mausoleum of Cecilia Metella, who died in 69 BC, is the best preserved monument on the Appian Way and dominates the surroundings. In the Middle Ages it was transformed into a fortress and battlements were added. At that time there was considerable competition for ownership because of its strategic location.
The temple of the Emperor Hadrian was consecrated in 145 AD by Emperor Antoninus Pius. The remains of the antique temple were incorporated into a new building that served as the Papal Customs House. It was finished around 1690 and today accommodates the Stock Exchange (Borsa).
In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
Romans and leaders of Rome's defeated enemies were imprisoned here where they either died of starvation or strangulation. According to legend, St. Peter was also imprisoned here.
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.
Early Roman houses dating back to the 1st century, believed to be homes of early Christians. Well-preserved frescoes and a small museum.
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.