The Monument to Victor Hugo stands as a tribute to one of France’s greatest writers. Located in Paris, this impressive statue draws the attention of both locals and visitors. Surrounded by the greenery of Avenue Victor Hugo, the monument provides a striking contrast against the city’s classic architecture.
The monument was designed by the renowned sculptor Auguste Rodin and was unveiled in 1909. Rodin’s work captures Victor Hugo deep in thought, as if imagining his next literary masterpiece. The statue celebrates Hugo’s impact on French literature, especially works like “Les Misérables” and “The Hunchback of Notre-Dame.”
The bronze statue depicts Victor Hugo seated, his cloak draped around him, with a look of contemplation on his face. The base of the monument features decorative reliefs, further illustrating scenes from Hugo’s famous novels. Trees line the area, making it a quiet spot perfect for reflection or a leisurely stroll.
For generations, the monument has served as a gathering place for admirers of Victor Hugo’s writing and for those who appreciate French culture. School groups, literary enthusiasts, and tourists often pause here to pay their respects or simply enjoy the peaceful atmosphere. The statue remains a lasting symbol of Hugo’s influence and the city’s rich literary heritage.
This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.
This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).
Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.
This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.
Located a short walk west of the Colosseum, this well-preserved monumental arch was erected (soon after 315) to commemorate the victory of Constantine, the first Christian emperor, over his rival Maxentius at the Battle of the Milvian Bridge in 312. In general design, the Arch of Constantine imitates the century-earlier Arch of Septimius Severus (nearby in the Forum). The three arches are decorated utilizing mainly materials plundered from other imperial monuments by Trajan, Hadrian and Marcus Aurelius. The quality of its sculptural decoration, however, betrays the slow degradation that Classical Roman sculpture had experienced in the 3rd century AD.
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.
Beautiful park, the 2nd largest in Rome (after Villa Doria Pamphili) at 450 acres/182 hectares. Hosts concerts on summer evenings. former summer residence of Italian monarchs. Also known for it's bunker.
This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).
Rome's museum of contemporary art, housed in a former industrial complex. Rotating exhibitions, each one usually lasting about 4 months. The MACRO Testaccio exhibition space is located in Aventino-Testaccio.
A truly monumental stairway of 135 steps (similar to climbing eight flights of stairs), built with French funds between 1721 and 1725 in order to link the Bourbon Spanish embassy to the Holy See (still located in the piazza below), with the Bourbon French church (its monastery founded in 1495) above. Don't sit on them though, or eat, or push a baby stroller on them, or do anything else that might obstruct pedestrians, make them dirty, or cause additional wear and tear, or else you will have to pay a fine that ranges from €250 to €400.