Museo della Luce

Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).

This is an important place of pilgrimage for Catholics because of the supposedly miraculous powers of an image of the Virgin Mary. The first miracle was in 1740 when a traveller being attacked by a pack of dogs called out to the Virgin’s image for rescue and the dogs calmed down. The image was moved to Rome in the Second World War and is credited with saving the city from destruction, as a result of which Romans vowed to construct this new sanctuary.

The church was built by order of Pope Sixtus VI (della Rovere). The campanile was erected in 1504 by Bramante and the church has frescoes of the four sibyls by Raphael in its interior.

Regular shows plus an excellent astronomical museum.

Contains the ruins of several large villas that belonged to wealthy Roman families. You can buy a combined ticket for the Palatine Hill, the Roman Forum and the Colosseum here, avoiding the long lines at the Colosseum. While the Imperial and Roman Fora are probably more spectacular, overall, there are amazing sights on the Palatine Hill, so unless you are terribly short on time or find it too challenging to climb the hill, allow an hour or more for these sights, too.

Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.

Now invaded by readers of Dan Brown's Angels and Demons, this is an interesting Baroque church containing Bernini's "Ecstasy of St. Teresa". Either side of this chapel are characters in what can best be described as theatre boxes. These are members of the Cornaro family, who paid for Bernini's sculpture. (As of Feb 2015, not visible due to restoration work.)

The mausoleum of Cecilia Metella, who died in 69 BC, is the best preserved monument on the Appian Way and dominates the surroundings. In the Middle Ages it was transformed into a fortress and battlements were added. At that time there was considerable competition for ownership because of its strategic location.

A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.

Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.

The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.

A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).

By Borromini, reputed to be on the spot where St. Agnes was martyred in the 4th century AD. This lovely basilica church is small with an almost circular interior. It is undergoing rehabilitation and the facade and dome are hidden in scaffolding. It seems to be open only until noon.

This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.

It was built in 27 BCE, by Augustus' right hand man Marcus Agrippa, and later remodeled by the Emperor Hadrian (AD 125-128). This ancient temple was built as a temple to all the gods of the Roman state but has served as a Christian church since the 7th century. It is the only building from the Graeco-Roman world which has remained substantially intact and in continuous use throughout to the present day, and as it is still a functioning church, silence is requested during your visit. The Pantheon is celebrated for its large dome. From inside you'll see traces of the former bronze ceiling, melted down during the reign of Pope Urban VIII to make weapons for the fortification of the Castel Sant' Angelo. The hole in the center of the ceiling, though, is an original feature designed for architectural reasons (the dome would collapse without it.) If it happens to be raining, you should definitely go to the Pantheon to see the rain pouring into the building through the hole in the ceiling. There are holes in the ground that drain the water. The spectacular doors are Romans, but not the original. The original bronze beams of the pronao were melted down by Pope Urban VIII and might have been used to create Bernini's Baldacchino, or canopy, in Saint Peter's. The dome is the largest masonry dome in the world, larger than that of Saint Peter. The building now appears to be built in a depression, but this was not the original appearance. The street level at the sides and rear has risen about 10 metres (33 ft) since its construction due to the accumulation of debris from 2,000 years of settlement. This has necessitated the maintenance of the deep trench that keeps the building from being buried. The Pantheon was free for many years, but fees began being charged in 2023.

A small piazza just behind the Pantheon. The centerpiece is a statue of an elephant by Bernini with an ancient obelisk on its back.

The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.

A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).