Istanbul Aviation Museum

The "Polish village" was founded in 1842 by Polish settlers in the wake of the failed uprising against Russian Imperial rule, and reinforced by more settlers after every subsequent civil upheaval until Poland's independence in 1918. Most then returned, but several stayed on, adopting Turkish citizenship but maintaining their Polish language and culture. The village has houses in traditional Polish style, a 1914 little Catholic chapel, and the Church of Matka Boska Częstochowska. It's set in woodland (a nature park) and is a popular day-trip from the city. There's four restaurants and half a dozen small hotels, plus more of each in nearby Beykoz.

About 15 minutes walking north of Beylerbeyi lies the historical fishing village Çengelköy. Its long history is attested by an 800-year-old sycamore tree on one of the two main terraced squares, and the Byzantine Aya Yorgi church. The restaurants and piers of Çengelköy offer some of the best panoramas along the Bosphorus, including a view on the old city under the first bridge. The neighborhood was popular amongst TV directors during the 1970s and it has become a (possibly the most) popular location to have lunch or dinner on the eastern side of Istanbul. Many historic mansions have been restored and multiple boutique chocolatiers were opened. Most restaurants in Çengelköy don't offer alcoholic beverages. Exceptions include the restaurant at the main pier (Iskele), and Tapasuma, the restaurant of hotel 'Sumahan on the Water', located in a former Ottoman Raki distillery. You can get there by taking bus 15 or 15F from Üsküdar, it is just a few stops further than Beylerbeyi. Going to Çengelköy by car is not advised; traffic can be very intense on the narrow road along this side of the Bosphorus.

The Golden Gate was the ceremonial entrance through the Theodosian city walls. After the Ottomans captured the city in 1453, Mehmed II needed a stronghold for his treasures and documents. The gate was therefore bricked up and the walls reinforced into a fortress, with valuables stored in its seven towers, hence yedi kule. In the following century the treasury moved to Topkapi Palace and the fort became a prison for high-level detainees - Osman II was strangled here in 1622. It remained in use until 1837, whereupon the Golden Gate was re-opened.

A remarkable Bulgarian Orthodox church better known as Demir Kilise, "Iron Church", as it's a cast iron prefab. The Bulgarians split from the Greek Orthodox and established their own wooden church in 1870, which burned down. The ground was too weak for a masonry or concrete structure so they opted for cast iron. The sections were cast in Vienna, shipped here and assembled, to open in 1898. The church was renovated in 2018, but the archpatriarchate building across the street remains a gaunt shell.

Opened in 2012, this museum is unique and a must-see when you are in the Beyoğlu area. It was created by Turkish Nobel laureate Orhan Pamuk alongside a novel of the same name. It tells the love story of the two main characters from the novel, and represents life in Istanbul during the late 1970s to early 1980s, as it exhibits thousands of objects from that era.

A private museum with a large painting collection and archaeological collections of measurement units and tools used in Asia Minor since antiquity and faiences of Kütahya.

Sokollu Mehmet Pasha was the grand vizier and de facto ruler of the Ottoman Empire during its 16th century golden age. He commissioned this mosque, one of three in the city to bear his name, but the sloping site was a challenge. He hired the best, Mimar Sinan, who completed it in 979 AH / 1571 AD, with the slope resolved by a fronting courtyard above shops and a medrese. The interior has outstanding İznik blue tiles, and three fragments of the Black Stone (Hajar al-Aswad) of the Kaaba: above the main entrance, minbar and mihrab.

It has a sandy beach backed by forest where a creek runs out. This is as far as you can go in a standard car.

Among the exhibition of this museum are five thousand pieces from the Ottoman era through WWII, with the most prominent piece possibly being the huge chain that the Byzantines stretched across the mouth of the Golden Horn to keep out the Sultan's navy in 1453 during the siege of Constantinople. In the yard of the museum, the Janissary Band (Mehter Takımı), the world’s oldest military band gives concerts of march music in traditional uniforms each afternoon, at 15:00.

A ritual dancing hall of the mystical Mevlevi order, the followers of the teachings of Mewlānā Rumi. The quiet and peaceful garden is a welcome escape from the hustle and bustle of Beyoğlu. The oldest Mevlevi lodge in Istanbul, the convent was started in 1491, when the surrounding area was, hard to believe today but, pure wilderness beyond the city walls of Galata, although the current building dates back to 1855, as the older versions succumbed to repairs, rebuildings, and fires. However, the lodge was shut down in the early years of the republic (in 1925) along with all other 'reactionary' movements in Turkey, and the building has been serving as a museum dedicated to the Mevlevi order since 2010. Downstairs is a series of rooms dealing with the daily life of an average dervish, with informational signs in Turkish and English about the history of Islam and the Mevlevi order (also notice the original wooden pillars that support the building on this floor). On the upper floor is a dancing hall, a perfect example of 19th century Ottoman Baroque. Pre-Covid, this was where the sema whirling ceremonies were held every weekend evenings (admission by an extra ticket costing around 100 TL); check if they resumed. On the third floor is a display of various traditional Turkish/Islamic arts, including paper marbling (ebru), and calligraphy. After exiting the building, check out the small graveyard (or the "silent house" as the sign at its entrance says) on one side of the building, shaded by a number of hackberry trees, which Ottomans favoured to plant in the yards of mosques and graves to sign holiness. Here, the carved fez, or the basket of flowers in case of women, perched upon the highly detailed marble gravestone indicates the occupant's rank in the dervish hierarchy. At one corner of the necropolis is the grave of İbrahim Müteferrika, a converted Hungarian who was the first to start automated publishing in Ottoman Turkish in the 18th century, and served as the translator of Hungarian revolutionaries who sought asylum in Turkey, such as Kossuth, who stayed for a year in Kütahya, or Ferenc Rakoczi, who lived his last years in Tekirdağ.

Started in 1613 by the Ottoman sultan Ahmet I (r. 1603–1617, who also had the Blue Mosque in the Old City built), and extensively renovated by the art-loving Selim III (r. 1789–1807), this sole building, which itself has the distinction of being the only intact structure that dates back to the rule of Ahmet III (r. 1703–1730), set inside a beautiful garden of pools and mature cedar and magnolia trees is the only remaining part of what was once the fourth largest palatial complex in Istanbul, extending all the way to the banks of the Golden Horn (which is now occupied by the derelict buildings of the closed shipyard, which also block part of the view towards the shore). According to the local rumour, its name (which in Turkish means "mirrored poplar") derives from the now absent mirrors gifted by Venice to the palace that were presumably "as tall as the poplars" (aynalar kavak). The highly decorative and colourful interior includes several rooms of original furnitures fit for a sultan, some of which are covered with nacre, and walls embellished with Ottoman poems praising the palace and Selim III. Downstairs is a small museum dedicated to music, which exhibit some of the instruments (violins, ouds, and kamanchehs) and gramophone records owned by Fatma Gevheri Sultana (1904–1980), the granddaughter of Abdülaziz I (r. 1861–1876). While you are outside, also check out the old main entrance (now closed) towards the Golden Horn, topped by a dome. Worth the half hour spent there.

A medieval citadel on the Bosphorus at the mouth of the Göksu creek. It was built in the late 14th century to control (polite word for "choke off") shipping along the Bosphorus, which narrows to 660 m at this point. It worked in tandem with Rumeli Citadel, built some 50 years later on the European bank. It fell into disrepair but was restored in the 1990s. You can't go in, but it's a pleasant setting; the entire village is named Anadolu Hisarı after the fort and has many traditional wooden houses (yalı). Ferries along the Bosphorus call here.

Built 1748-55, this launched the style we call Ottoman Baroque, with its grand central dome and pencil-thin minarets. It was copied throughout their empire and is replicated in new mosques even today. The name means "light of the Ottomans," and the interior uses light powdery decor, bathed with much more natural light than its gloomier classical predecessors. The complex also has a madrasa and the imaret (public soup kitchen).

Feshane began as a factory producing fezzes (fes), the red hats made of felt adopted by the Ottomans in the early 19th century as a part of westernizing efforts in lieu of much more traditional turbans. However, the fez was scrapped in favour of western garments during Atatürk's reforms of the 1920s and 30s as it was thought to symbolize the old, decidedly oriental regime. A restoration in 1998 made it a cultural and exhibition center, and after another in 2023, it was reopened as a culture and art center under the name Artistanbul Feshane.

The only active Ashkenazi Synagogue open to visits and prayers.

A resort on the Marmara coast. It's the westernmost part of Istanbul, between Çatalca and the province of Tekirdağ. There are some remnants of the Anastasian wall here, the scrappy ruins of a castle, an ancient cistern, the Piri Paşa Mosque, and Uzunköprü the long aqueduct.

Turkey was slow to protect its antiquities and to display them properly, but in 1867 Sultan Abdülaziz toured the museums of Paris, London and Vienna and saw what was needed. The main collection is in a grand neo-classical building of 1891, with two annexes for ancient art and Islamic art. Exhibits include Sumerian tablets, pieces of the wall of Babylon, Roman statues, and the sarcophagus of Alexander the Great, which he never lay in.

It was built in 2001 and is the first miniature park in Istanbul (the world's largest miniature park in respect to its model area). The park hosts icons of many cultures and civilizations. Models vary from the Hagia Sophia to Galata Tower, from Safranbolu Houses to the Sumela Monastery in Trabzon, from Qubbat As-Sakhrah to the ruins of Mount Nemrut. In addition, some works that have not survived into the present, such as the Temple of Artemis, the Halicarnassus Mausoleum and Ajyad Castle, were recreated. All former Ottoman Empire in one place.

The third and grandest of the churches on this site, completed in 537 AD. The 30-m diameter dome covers what was for over 1000 years the largest enclosed space in the world, only surpassed in 1520 by Seville cathedral. It used "pendentive" architecture to throw the dome's weight onto four stout pillars, a design that inspired many Eastern Orthodox churches and Ottoman mosques. It became a mosque after the Ottoman conquest in 1453, remaining so until 1931. It was then a museum until 2020 when it was again proclaimed a mosque. That means you must work around prayer times and dress appropriately.