The Orhan Kemal Literature Museum is a small house museum dedicated to the life and work of renowned Turkish novelist Orhan Kemal (1914–1970). Located in Istanbul, this museum offers a glimpse into the daily life and creative process of one of Turkey’s beloved literary figures. Visitors can explore rooms filled with books, letters, photographs, and personal belongings that once belonged to the author.
Inside the museum, shelves are lined with copies of Orhan Kemal’s novels, many of which reflect the struggles and hopes of ordinary people in Turkey. Display cases feature manuscripts, original drafts, and handwritten notes that highlight the author’s commitment to his craft. Visitors also find a collection of family photographs and personal items, such as his typewriter and clothing, which help bring his story to life.
The museum is housed in a traditional Turkish building, creating an intimate and nostalgic atmosphere. Each room is carefully arranged to reflect the era in which Orhan Kemal lived and wrote. The cozy spaces invite visitors to imagine the writer at work, surrounded by the objects that inspired his stories.
Source - https://en.wikipedia.org/wiki/Orhan_Kemal_Literature_Museum
Built in first half of the 15th century, this is the large medieval castle under the Second Bosphorus Bridge. Its former name Boğazkesen (Turkish)/Laimokopia (Greek) means both "strait-blocker" and "throat-cutter" in both languages and denotes the reason of its building—to shut the supply routes from the Black Sea in the north into the slowly falling apart Byzantine Empire through the Bosphorus. Rumeli, literally "the Roman land", was the name of the European half of the Ottoman Empire, and as is usual with some other structures and villages along the Bosphorus, used as a prefix to differentiate Rumeli Hisarı from its counterpart in the Asian Side, the much smaller Anadolu Hisarı just across the Bosphorus.
An attractive stairway mixing the Neo-Baroque and early Art Nouveau styles, climbing up from Bankalar St towards the Galata Tower. It was built in the 1870s by Abraham Salomon Camondo, who belonged to a prominent Ottoman-Venetian Jewish family of financiers and philanthropists.
This was built in the 1430s by Grecian Jews ("Romaniotes") from the city of Ohrid, now in North Macedonia. The district of Balat was a Jewish quarter, swelled from 1492 by those expelled from Spain. The synagogue is only open for pre-arranged tours.
The avenue has little in common with Baghdad, except it was the beginning of the Ottoman-era route to that city followed by many, including Ottoman sultan Murat IV during his march upon Persia, after which he captured Baghdad. In fact, with its sidewalk cafés and Western restaurants, Bağdat Caddesi is usually considered as one of Istanbul's most western-flavoured streets, ironically located in Asia. This street is not completely pedestrianized unlike Istiklal Street, which serves a similar function on the European Side, but its broad sidewalks with tree shade offer a pleasant walk. The restaurants and cafés on the avenue are mainly upscale, but there are also some quite affordable ones scattered around occasionally. Shopping opportunities also abound. From Kadıköy, take the Bostancı-bound dolmuşes (from just south of the ferries) or the public bus #4 (its stop is near the one for the dolmuş, but separate).
Named after a 16th-century village, founded by Serbs deported from Belgrade when it fell to the Ottomans. The village was popular as a forest resort, but its inhabitants were resettled in the 19th century and it's now a bosky ruin. The forest is mostly primordial and deciduous, predominantly oak. It's dotted with ancient aqueducts and dams as this area was a water catchment for Constantinople / Istanbul, and has lots of walking jogging and cycling trails and picnic areas. The two main ways in are via Bahçeköy (near the Arboretum entrance) and Kemerburgaz (which has the best aqueducts). There's a small access toll. The forest is supposedly a protected area but is being encroached on by highways and suburbs: this is likely to get worse as the access route to Istanbul's new airport leads right through it.
A neighbourhood east of Şişli known for its Art Nouveau apartment buildings, the ground floors of many of which are upmarket restaurants, cafes, pubs, and garment stores lining the sidewalks. Nobel laureate Orhan Pamuk, well-known Turkish novelist, is a lifelong resident of the neighbourhood which formed the background of several of his novels.
Built circa 1200 as the Eastern Orthodox Theotokos Kyriotissa Church, after the Ottoman conquest it was handed over to the Qalandari, a Sufi sect. In the mid-18th century it was converted to a Sunni mosque, and its mosaics were plastered over. The original appearance was restored in the 1970s.
Although not at the size of Hagia Sophia, this is the largest active church in Turkey. It’s directly on Istiklal St, but somewhat hidden from view by its yard portal. Catholic Masses in Italian, Turkish, and English (in different days of the week).
It was built by the Genoese in the 14th century on the city walls of Galata, marking the highest point of their territory. Ride an elevator and take two flights of stairs to the top, then walk the parapet for a 360°-view of Istanbul, including the entire Sultanahmet peninsula: crowned by Topkapı Palace, the Blue Mosque and Hagia Sophia. A beautiful spot worthy of a lot of pictures.
A ritual dancing hall of the mystical Mevlevi order, the followers of the teachings of Mewlānā Rumi. The quiet and peaceful garden is a welcome escape from the hustle and bustle of Beyoğlu. The oldest Mevlevi lodge in Istanbul, the convent was started in 1491, when the surrounding area was, hard to believe today but, pure wilderness beyond the city walls of Galata, although the current building dates back to 1855, as the older versions succumbed to repairs, rebuildings, and fires. However, the lodge was shut down in the early years of the republic (in 1925) along with all other 'reactionary' movements in Turkey, and the building has been serving as a museum dedicated to the Mevlevi order since 2010. Downstairs is a series of rooms dealing with the daily life of an average dervish, with informational signs in Turkish and English about the history of Islam and the Mevlevi order (also notice the original wooden pillars that support the building on this floor). On the upper floor is a dancing hall, a perfect example of 19th century Ottoman Baroque. Pre-Covid, this was where the sema whirling ceremonies were held every weekend evenings (admission by an extra ticket costing around 100 TL); check if they resumed. On the third floor is a display of various traditional Turkish/Islamic arts, including paper marbling (ebru), and calligraphy. After exiting the building, check out the small graveyard (or the "silent house" as the sign at its entrance says) on one side of the building, shaded by a number of hackberry trees, which Ottomans favoured to plant in the yards of mosques and graves to sign holiness. Here, the carved fez, or the basket of flowers in case of women, perched upon the highly detailed marble gravestone indicates the occupant's rank in the dervish hierarchy. At one corner of the necropolis is the grave of İbrahim Müteferrika, a converted Hungarian who was the first to start automated publishing in Ottoman Turkish in the 18th century, and served as the translator of Hungarian revolutionaries who sought asylum in Turkey, such as Kossuth, who stayed for a year in Kütahya, or Ferenc Rakoczi, who lived his last years in Tekirdağ.
The building was erected as a Roman Catholic church in 1325 by the friars of the Dominican Order, near or above an earlier chapel dedicated to Saint Paul (Italian: San Paolo) in 1233. In 1299, the Dominican Friar Guillaume Bernard de Sévérac bought a house near the church, where he established a monastery with 12 friars. A new, much larger church was built near or above the chapel of San Paolo in 1325. Thereafter the church was officially dedicated to San Domenico. After the Fall of Constantinople, according to the Capitulations of the Ottoman Empire with the Republic of Genoa, the church, which by that time was known by the Turks under the name of Mesa Domenico, remained in Genoese hands, but between 1475 and 1478 it was transformed, with minor modifications, into a mosque by the Ottoman Sultan Mehmed II and became known as Galata Camii ("Galata Mosque") or Cami-i Kebir ("Great Mosque"). Towards the end of the century Sultan Bayezid II assigned the building to those Muslims of Spain (Andalusia) who had fled the Spanish Inquisition and migrated to Istanbul; hence the present name Arap Camii (Arab Mosque). Today, Arap Camii is the largest mosque on the Galata side of the Golden Horn. It is one of the most interesting mosques in the city due to its early Italian Gothic architectural style and church belfry, which has practically remained unaltered even after being converted into a minaret.
The Byzantines built several great palaces in Constantinople and this is the only one to survive almost intact. It's from the late 13th century, in typical alternating marble and red-brick rows, and was an imperial residence: Porphyrogenitus means "born to the purple" indicating the heir to the crown. Yet it was merely an annex or pavilion within the much greater Palace of Blachernae, of which nothing else remains. It's set within the north end of the Theodosian Walls and was much bashed during the Ottoman capture. Later it was variously a menagerie, brothel, pottery, poorhouse and bottle works, then fell derelict in the 20th century. In 2021 it re-opened as a museum.
The original mosque was built between 1463-1470 by the Greek architect Atik Sinan, by order of Sultan Mehmet II the Conqueror, on the site of the former Church of the Holy Apostles, which had served as Byzantine Imperial burial place for a thousand years. The grand complex with eight medreses, a library, hospital, hospice, caravanserai, market, hamam, primary school and public soup kitchen was smashed again and again by earthquakes, and the present building is from 1771 to a different design. The interior is lavish, and outside is the ornate tomb of Mehmet II and his wife Gülbahar Hatun.
The imperial enclave of the Ottoman emperors for four centuries. Lavishly decorated, with exhibitions of fine craftmanship and four courts of increasing grandeur. The second court has the Harem and the State Treasury, housing a weaponry display. The third court has the Imperial Treasury, with Islamic and Christian relics. The views from the Fourth Court over the Bosphorus are spectacular. Reckon on spending several hours here and bring water as the museum kiosk is overpriced.
Built in 1564 by Mimar Sinan for Rüstem Pasha, Grand Vizier of Suleiman the Magnificent, this small mosque has an interior covered by beautiful Iznik pottery, then at its zenith.
A charming domed church built in 1880 at the side of Taksim Square, now uneasily contesting with Taksim Mosque for being the main landmark of the southern edge of the square.
One of the icons of the city is also called the Leander's Tower, on a Bosphorus islet off Salacak. The local myth ascribes its name to a princess, whose father wanted to protect her in this offshore tower from a prophecy that she would be killed by a snakebite on her birthday, but the snake found its way inside a basket of fruits — ironically a birthday present from her father — and you've probably already guessed the rest of the story. In actual timeline, it served as a defensive structure (there was a wall connecting it to the Asian mainland, and the Byzantines used to stretch a chain from here to the European mainland across the mouth of the Bosphorus to shut it to adversary shipping in times of conflict, but they didn't during the final Ottoman siege in 1453), as a customs and quarantine station, as a lighthouse, as a warehouse of various sorts of goods, and as a high-end restaurant before the last restoration finished in 2023 dedicated it as a museum. There is a light show viewable from the mainland every day at 21:00.
A nice, organized museum with contemporary installations. It may be seen as overpriced given its small size. It also has a simple cafe.