Galerie nationale du Jeu de Paume stands as a symbol of historic architecture from the time of the First Empire. Designed in a similar style to the nearby Orangerie, the building is smaller in size but rich in character. Its classic facade and elegant lines reflect the grandeur of early nineteenth-century Paris.
Over the years, this building has served many purposes in the Paris art scene. In the past, it was home to a remarkable collection of Impressionist paintings. Today, these famous artworks have moved to the Musée d'Orsay, located across the River Seine. The Jeu de Paume has since reinvented itself, now focusing on the world of photography.
At present, the Galerie nationale du Jeu de Paume is dedicated to showing temporary exhibitions. These displays highlight art photography, featuring both contemporary artists and historic works. Visitors can explore a wide variety of photographic styles and themes, with new exhibitions arriving regularly. The museum’s changing program keeps the experience fresh and engaging for art lovers and newcomers alike.
Source - https://en.wikipedia.org/wiki/Jeu_de_Paume_(museum)
Probably the most visited graveyard in any Western city, the vast Père-Lachaise features literally thousands of often elaborately decorated graves separated by narrow lanes and avenues. The roll call of famous burials includes: Chopin, Champollion, Sarah Bernhardt, Edith Piaf, Oscar Wilde, Delacroix, Bizet, Proust, Balzac, Colette, Molière, and Jim Morrison of The Doors.
Housed in a 15th-century abbey, alongside 1st century Gallo-Roman baths, the museum has an extensive collection of medieval art and artifacts. Highlights include the medieval "Lady and the Unicorn" tapestries, a papal golden rose, and the original heads from the facade of Notre Dame.
Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.
The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.
Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.
This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
The northwest corner of the Bois de Boulogne is occupied by the oldest operating amusement park in the world, the Jardin d'Acclimatation, which is mainly known for offering a wide range of amusements which are appropriate even for very small children. They have miniature roller-coasters for children as small as three years, and the usual range of pony rides etc.
This museum is in the historic Invalides complex and presents the history of the French Army. It is co-located with Napoleon Bonaparte's tomb (entry to which is included in the ticket price). Most of the exhibitions are very old fashioned, and the coverage of the First World War is surprisingly limited. A highlight is the Musée des Plans-Reliefs, which displays painstakingly accurate models of French fortresses and includes its own shop.
For a taste of the French countryside, a visit to Bercy Village brings to life the spirit of market shopping inside Paris.
An industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.
Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
One of the last remnants of medieval Paris outside of the 4th, this tower was once part of a castle called l'hôtel de Bourgogne.
Between the River Seine and the rail yards attached to Gare de Lyon and Gare de Bercy is a green space which would seem pretty huge if the 12th weren't also the home of the Bois de Vincennes. The park is a good place to hang out waiting for the line to form for sporting events and concerts at AccorHotels Arena.
The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.
Suspended above the train tracks this garden is surprisingly calm and chilled-out.