Nikolaiviertel is one of Berlin’s oldest quarters, a compact area where cobbled lanes and gabled houses trace the city’s early story. Rebuilt after heavy wartime damage, the neighborhood blends medieval street patterns with careful 20th‑century reconstruction, creating a small maze of courtyards, stone façades, and red roofs along the Spree River. Street cafés, craft shops, and small museums fill the ground floors, while church bells from St. Nicholas Church set the tone of the day.
The quarter began as a trading settlement around the 13th century, growing around St. Nicholas Church, Berlin’s oldest church. Centuries of fires, expansions, and redesigns reshaped its streets, but the medieval plan remained visible. After World War II, the area lay in ruins. In the 1980s, East Berlin planners rebuilt the district for the city’s 750th anniversary, recreating historic outlines with new materials and techniques. The result is a careful collage: original fragments, faithful replicas, and postwar architecture that follows old rooflines and alleyways.
St. Nicholas Church stands at the center, its twin spires rising over small squares. Inside, exhibitions explain the church’s role in the city’s early life, from parish gatherings to guild traditions. Around it, narrow passages lead to small courtyards where sculptures and plaques recall residents and merchants who lived and worked here. The Ephraim Palace, with its curved façade and elegant staircase, hosts changing art and city history exhibitions, while the Knoblauch House shows bourgeois interiors from the 18th and 19th centuries.
Stone-paved alleys link a network of terraces and little plazas, many shaded by chestnut trees in summer. Restaurants and beer gardens spill onto the lanes when the weather is warm, and in winter the same spaces glow with lanterns and festive lights. Street names echo crafts and trades, a reminder of a time when bakers, brewers, and boatmen shaped the daily rhythm of the quarter. The Spree promenade offers calm views of the river traffic and the domes and towers of nearby museums and churches.
Nikolaiviertel sits between Berlin’s historic core and the government and museum districts. From here, the route to Museum Island is a short walk across bridges, with the City Palace and the television tower appearing and disappearing between rooftops. The quarter serves as a compact introduction to Berlin’s layered past: medieval origins, Prussian grandeur, wartime loss, and the choices of the GDR era—presented on a walkable stage of streets and squares that feel both historic and lived-in.
Source - https://en.wikipedia.org/wiki/Nikolaiviertel
Museum established in 1888, with a collection of 3,500 instruments.
A splendid 15th-century Gothic church with many fine accoutrements.
A beautiful landscape of water canals and vegetation with charming little fish restaurants.
The former Imperial General Post Office, now Museum for telecommunication and post with many interesting historical objects.
This museum describes the procedures applied by the East German secret police. Every Friday to Monday, there is a guided tour in English at 15:00 (5€).
Spectacular building by Mies van der Rohe contains its own collection and temporary exhibitions.
The only surviving Berlin city gate and a potent symbol of the city. This is the point where Straße des 17. Juni becomes Unter den Linden. The gate was designed by Carl Gotthard Langhans in 1791 and was intended to resemble the Acropolis in Athens. The Brandenburg Gate now symbolizes reunification, after dividing East and West Berlin for decades. This is the site of Reagan's "Mr. Gorbachev open this gate, Mr. Gorbachev tear down this wall" speech.
Also known as "Picasso und seine Zeit", this not so large, but precious museum hosts a very good collection of paintings and sculptures signed by Picasso, Klee, Matisse, Giacometti, and others from the first decades of the 20th century.
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
Want to feel like one of the angels in Wim Wenders' classic film Der Himmel über Berlin (a.k.a. Wings of Desire)? Climb to the top of Gold-Else, as the statue of Victory on the top of the Victory Column is known. Just don't jump off if you're not actually an angel. Unfortunately there is no elevator, so be prepared for 285 steps to the platform at 50.7 m.Else was built to commemorate Prussian military prowess in the wars against Denmark (1864), Austria (1866) and France (1870-71), and moved to her present location by the Nazis. Five roads run into a traffic circle called Grosser Stern, in the centre of which is the Siegessäule. Else is visible from much of the city district known as Tiergarten. At the base of the statue are reliefs of war scenes representing the conflicts which this monument memorializes. The Allies forced Germany to take those panels down in 1945, but they were remounted in 1984 and 1987. It also served as a backdrop for a speech by then senator Obama in 2008, after his request to speak in front of Brandenburger Tor caused a political debate in Germany.
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.
The old town of Köpenick is surrounded by water. Especially noteworthy are the Köpenick Palace which houses a museum of applied art and the Neogothic town hall.
A fortress built between 1560 and 1590 to Italian design on the site of a 12th-century castle. The Juliusturm housed part of the huge indemnity (in physical gold coins) France had to pay after the war of 1870/71 until what was left of it was returned to France after Germany's loss in World War I. The term "Juliusturm" remained in usage in German for a large "rainy day fund" into the 1960s. Museums housed within the citadel cover the history of the town of Spandau, monumental public art in Berlin, and artillery.