Nikolaiviertel is one of Berlin’s oldest quarters, a compact area where cobbled lanes and gabled houses trace the city’s early story. Rebuilt after heavy wartime damage, the neighborhood blends medieval street patterns with careful 20th‑century reconstruction, creating a small maze of courtyards, stone façades, and red roofs along the Spree River. Street cafés, craft shops, and small museums fill the ground floors, while church bells from St. Nicholas Church set the tone of the day.
The quarter began as a trading settlement around the 13th century, growing around St. Nicholas Church, Berlin’s oldest church. Centuries of fires, expansions, and redesigns reshaped its streets, but the medieval plan remained visible. After World War II, the area lay in ruins. In the 1980s, East Berlin planners rebuilt the district for the city’s 750th anniversary, recreating historic outlines with new materials and techniques. The result is a careful collage: original fragments, faithful replicas, and postwar architecture that follows old rooflines and alleyways.
St. Nicholas Church stands at the center, its twin spires rising over small squares. Inside, exhibitions explain the church’s role in the city’s early life, from parish gatherings to guild traditions. Around it, narrow passages lead to small courtyards where sculptures and plaques recall residents and merchants who lived and worked here. The Ephraim Palace, with its curved façade and elegant staircase, hosts changing art and city history exhibitions, while the Knoblauch House shows bourgeois interiors from the 18th and 19th centuries.
Stone-paved alleys link a network of terraces and little plazas, many shaded by chestnut trees in summer. Restaurants and beer gardens spill onto the lanes when the weather is warm, and in winter the same spaces glow with lanterns and festive lights. Street names echo crafts and trades, a reminder of a time when bakers, brewers, and boatmen shaped the daily rhythm of the quarter. The Spree promenade offers calm views of the river traffic and the domes and towers of nearby museums and churches.
Nikolaiviertel sits between Berlin’s historic core and the government and museum districts. From here, the route to Museum Island is a short walk across bridges, with the City Palace and the television tower appearing and disappearing between rooftops. The quarter serves as a compact introduction to Berlin’s layered past: medieval origins, Prussian grandeur, wartime loss, and the choices of the GDR era—presented on a walkable stage of streets and squares that feel both historic and lived-in.
Source - https://en.wikipedia.org/wiki/Nikolaiviertel
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.
The longest moving refracting telescope is 21 m long with a lens diameter of 68 cm. This giant telescope was built in 1896 by Dr. Freidrich Simon Archenhold but is now part of the Deutsches Technikmuseum Berlin. It was the place where Albert Einstein presented his Theory of Relativity to the public in 1915.
Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.
A splendid 15th-century Gothic church with many fine accoutrements.
Museum of Contemporary Art located in former Hamburger Bahnhof train station. Big halls filled with artworks made since 1960s. In 2004 Rieckhallen, former Lehrter Bahnhof, was opened and now provides exhibition space for the Friedrich Christian Flick Collection. Free public guided tours (in English): Sa and Su at 12:00.
With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.
Specializes in 19th-century painting and sculpture; Monet, Manet, Cézanne, C. David Friedrich and other important 18th- and 19th-century artists are well-represented.
In 1893 the authorities of Berlin issued the artistic entrance to the National Park Friedrichshain. The fountain of fairy tales was commissioned by the National Park and later designed by Ludwig Hoffmann.
The town hall of Berlin is known as such because it is made of red brick, not due to its former political persuasion. There are nice Prussian rooms inside, which are worth a look.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.