Nikolaiviertel is one of Berlin’s oldest quarters, a compact area where cobbled lanes and gabled houses trace the city’s early story. Rebuilt after heavy wartime damage, the neighborhood blends medieval street patterns with careful 20th‑century reconstruction, creating a small maze of courtyards, stone façades, and red roofs along the Spree River. Street cafés, craft shops, and small museums fill the ground floors, while church bells from St. Nicholas Church set the tone of the day.
The quarter began as a trading settlement around the 13th century, growing around St. Nicholas Church, Berlin’s oldest church. Centuries of fires, expansions, and redesigns reshaped its streets, but the medieval plan remained visible. After World War II, the area lay in ruins. In the 1980s, East Berlin planners rebuilt the district for the city’s 750th anniversary, recreating historic outlines with new materials and techniques. The result is a careful collage: original fragments, faithful replicas, and postwar architecture that follows old rooflines and alleyways.
St. Nicholas Church stands at the center, its twin spires rising over small squares. Inside, exhibitions explain the church’s role in the city’s early life, from parish gatherings to guild traditions. Around it, narrow passages lead to small courtyards where sculptures and plaques recall residents and merchants who lived and worked here. The Ephraim Palace, with its curved façade and elegant staircase, hosts changing art and city history exhibitions, while the Knoblauch House shows bourgeois interiors from the 18th and 19th centuries.
Stone-paved alleys link a network of terraces and little plazas, many shaded by chestnut trees in summer. Restaurants and beer gardens spill onto the lanes when the weather is warm, and in winter the same spaces glow with lanterns and festive lights. Street names echo crafts and trades, a reminder of a time when bakers, brewers, and boatmen shaped the daily rhythm of the quarter. The Spree promenade offers calm views of the river traffic and the domes and towers of nearby museums and churches.
Nikolaiviertel sits between Berlin’s historic core and the government and museum districts. From here, the route to Museum Island is a short walk across bridges, with the City Palace and the television tower appearing and disappearing between rooftops. The quarter serves as a compact introduction to Berlin’s layered past: medieval origins, Prussian grandeur, wartime loss, and the choices of the GDR era—presented on a walkable stage of streets and squares that feel both historic and lived-in.
Source - https://en.wikipedia.org/wiki/Nikolaiviertel
The zoo in the former East Berlin is more spacious than its West Berlin counterpart, the historic Berlin Zoo and has been open for some 50 years. The Tierpark has nearly as many animals, but fewer reptiles and aquatic animals. It appears rather like a park with animals than a classic zoo, in fact it is one of the biggest zoos in Europe. There is an old castle from the late 17th century in the northeast of the Tierpark (Schloss Friedrichsfelde).
Berlin's oldest church (1230) is a 3-nave hall church. It is in the centre of an area destroyed by bombs in the war which was then turned into a faux "old town" by the East German authorities called Nikolaiviertel. The area is more a hodge-podge of relocated buildings than an authentic reproduction, and the newly-built 1988 apartments that attempt to "harmonize" with the older buildings are embarrassing. The church is one of the only structures that was renovated rather than rebuilt. It is best known for a sandstone sculpture called the Spandauer Madonna (1290), but there are other interesting pieces here. When the church was destroyed in 1938 and rebuilt in the 1970s, the communist officials intended to use it as a museum, which did not open until 1987. The museum includes sacred textiles and religious sculpture from the fourteenth to the sixteenth centuries. The Nikolaikirche is the showplace of the Nikolaiviertel, which isn't saying much.
This heritage-protected 120-m-long pedestrian tunnel below the river Spree was the first ferro-concrete tunnel in Germany that has been built using pneumatic caissons. Two beaches can be accessed via the tunnel which are not far from its south entrance.
From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.
The main street of former East Berlin. It is a big avenue, featuring neoclassical East German buildings, fountains and lakes.
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
This outdoor and indoor history museum documents the terror applied by the Nazi regime. It is on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
Oderberger Straße is known for its beautiful and generous Gründerzeit architecture, as well as its cafés and restaurants. Since before Germany's reunification the street has been the desired place for alternative folks and avant-gardists, but the area has seen continual gentrification since the early 2000s.
The building houses the personal offices of the Chancellor and the Chancellery staff. The Berlin Chancellery is one of the largest government headquarters buildings in the world. By comparison, the new Chancellery building is ten times the size of the White House. A semi official Chancellor's apartment is on the top floor of the building. The 200-m², two-room flat has thus far only been occupied by Gerhard Schröder chancellors since then have lived elsewhere. It is usually not possible to visit the building, but on occasion there are tours, usually around August. The building was deliberately designed in a way to symbolize the German constitutional system - it's in the line of sight of the Bundestag and lower in height, symbolizing the role of parliament in controlling government and "the people's house" being the higher power in the relationship between the two. Or at least that's the idea.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
Millions of visitors leaving East Berlin by train said tearful goodbyes to their friends and relatives from the East at this former border checkpoint. Hardly a year after the wall came down, the building was turned into a nightclub until it was forced to close in 2006. It re-opened as a museum in September 2011 and now houses a permanent exhibition that brings the absurd normality of everyday life in the divided city back to life.
Started in the 15th century and finished in the mid-18th century, the baroque palace was the residence of electors, kings and emperors until 1918, when it became a museum. The palace was badly damaged during World War II and later razed in 1950, replaced by the GDR with a modernist Palast der Republik. The Palast was in turn gradually dismantled at the turn of the century, as it was discovered to contain asbestos and its former function of housing the GDR parliament became obsolete. Berlin has started in June 2013 construction on a new version of its historic Stadtschloss. The Schlüterhof, an inner courtyard, was also rebuilt. The building opened with a delay in 2021 with museums inside and a roof terrace with a good view. Among the Berlin museums this is perhaps the most controversial due to reconstruction of a monarchist palace being seen as a questionable political statement and due to the fact that many of the exhibits were sourced from German colonies under ethically questionable circumstances leading to demands to return some or all of them to their places of origin.
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.